Pożyczkobiorców, jacy nie opłacają wierzytelności każdego dnia przybywa. „złych kredytów” w Biurze Informacji Kredytowej trzaskają w szwach i funkcjonalnie utrudniają dostęp dłużnikom do kredytów bankowych. Niektórzy, zakładają, iż bank będzie oczekiwał w wiecznie na swoje pieniądze. W mgnieniu oka zostają rozproszone iluzoryczne nadzieje, gdy listonosz wezwania do zapłaty przynosi.

Lekceważenie upomnień bankowych czy listonosza unikanie i poczty nie odbieranie nic nie daje. Instytucje finansowe dość prędko wypowiadają umowy kredytowe pożyczkobiorcom, które do spłaty długów się nie poczuwają. Sprawa trafia do działalności windykacyjnej, w dalszym ciągu werdykt sądowy i egzekutor.

W przypadku, gdy opóźnienia w spłatach się pojawiają trzeba prędko zwrócić się do banku o restrukturyzację pożyczek czy też poszukać kredytu konsolidacyjnego, poprzez który złączone zostaną każde posiadane wierzytelności z tytułu kart kredytowych, wierzytelności konsumpcyjnych oraz długów gotówkowych, motoryzacyjnych, lokalowych.

Kredyty konsolidacyjne, to jest oddłużeniowe świadczone są osobom, które mają zdolność kredytową. Wykluczeni są petenci, którzy są umieszczeni w indeksach BIK I KRD.

Puppetry Lectures drawing on Marcus Clarke’s extensive TV Background. His days with Jim Henson and The Muppet Movies right up to 2007′s Edinburgh Show, ‘Jim Hensons Puppet Up! And his own Companies Puppet TV character creation story from TVAM’s Dappledown Farm to this years BAFTA nominated Milkshake Show. Insight into the up coming ITV Series ‘Bookaboo’ too. Puppetry Workshops are also available for those especially interested in learning Puppeteering for the Screen. From Movies to YouTube.

Visit handsuppuppets.com Go to Education for more information and to book Lectures and Courses.

Hello.

I have just discovered this website, and its an amazing idea!  however, i’m a little disappointed  at how little people seems to contribute and communicate on here….maybe we should advertise it more, to make it a better platform of exchanges…

Watch the giant spider of Liverpool arrive at the city hall, wake up after a sleep and, in some dramatically speeded up footage, crawl up a building to rest. La Princesse was created by a French company, La Machine, as part of the Liverpool European Capital of culture programme. – filmed and edited by Giselle Leeb

Watch it here

View a 25 minute documentary about the Royal de Luxe theatre company’s weekend performance in Calais 2006 featuring a four storey high elephant and giant puppet girl.

Part 1

Part 2

Part 3

MONDAY 4 – FRIDAY 15 AUGUST 2008

Puppet Animation Scotland, in partnership with the Royal Scottish Academy of Music and Drama, is pleased to announce this exciting opportunity for people with a strong interest in puppet theatre, and a desire to develop their own practical skills and knowledge.

This is an introduction to the wide range of necessary skills and techniques used by successful professionals in the creation of their work.

Students will collaborate with leading Scottish practitioners to present a performance of their own devising, having identified and developed themes and ideas, designed and built puppets, and rehearsed their animation and manipulation.

This course will also include a brief exploration of the rich history and heritage of puppet theatre, placing the work created during the two weeks within the context of the art form as well as the broader world of theatre and the arts.

Course leader: Kim Bergsagel (Artistic Director, Puppet Lab)

Tutors:
Ian Cameron (Artistic Director, Plutot la Vie)
Symon MacIntyre (Artistic Director, Puppet Lab)
Shona Reppe (Artistic Director, Shona Reppe Puppets)

Summer school fee: £495

For entry information and all further details about the course please contact:

Puppet Animation Scotland
Custom House
35 Regent Quay
Aberdeen
AB11 5BE
01224 575 743
emma@puppetanimation.org

Please do not contact the RSAMD as they are not co-ordinating the course or booking process.

PAS is offering a small number of grants to assist with course fees.

Please contact us for further details.

Left Luggage Theatre most recent work Restless Tides was performed as part of the Enterprise Arts Festival ’08 at The Space in Isle Of Dogs, London in March 2008.

Drawing on the vibrant history of this unique area of London, Left Luggage created a rich world incorporating theatrical installation, puppetry, masked performance and soundscape. This site-responsive piece transformed the converted Victorian chapel into an environment where the audience travelled through a love story between a ship’s figurehead carver and his creation; visited the mercurial Canton Kitty’s Limehouse opium den, the magical curios in the pawnbroker’s shop and the song-bird competition in an East End pub.

Visit www.myspace.com/leftluggagetheatre to see images of the show.

‘Restless Tides, a rich and delectable journey for all the senses… an absolute delight from start to finish’
The Docklands Newspaper

Molly Barrett was a final year student at Nottingham Trent University on the BA Theatre Design course in 2007, She was inspired by the puppet performance given by Sarah Wright at last years Student Puppet Festival and this was her own self-realised puppet design and construction.

These Photographs are from the puppets used in the The Icarus Project. This performance/education project engaged secondary school students with the moral and ethical issues of stem cell technologies through epic visual theatre and a contextualised programme of creative learning. The performances were the culmination of an 18-month cycle of research and development by artists working with undergraduates at Nottingham Trent University, in collaboration with Dragons Breath Theatre.